Travel and street photography of people and places around the world. Photo and travel blog by Armand Thomas
Montreal is celebrating its 375th birthday this year but the grand old dame is thick in reconstructive surgery. Everywhere you look things are being built up, dug out, renovated, bulldozed or just left in disarray for its turn on the jackhammer list. rue St-Denis, festivalMONTREAL2017
It’s as though a whistle blew and everything, everywhere, had to be done (or redone) all at once, not just imploding freeway interchanges or excavating canyons for more condo towers, but sewer systems in the leafy side-streets, or tennis courts in the central park, or the gravelly path leading up the mountain. Entire new districts, like Griffintown by the canal, seem to have sprung up like glass and concrete mushrooms. I haven’t been back to my hometown for nearly two years and, from some angles, I couldn’t recognize the Montreal skyline. I mean, it’s always a bit crazy in the summer, when the ravages of ice and salt turn the streets into pot-holed slalom courses, making the season a boon for shock absorbers and wheel alignments. But the quantity of unfinished work this year is truly breathtaking – astounding as it is infuriating.
On the bright side, in this incredible disorder on this very special year, with a record number of people visiting, Montreal is clearly declaring itself as a city of the future, no question. “Excuse our Dust” – that should have been tourism ministry’s slogan.
* Orange Coneville has Zest!
* Pylon Our City
* Detourtown This Way
Call it what you want.
Yet one thing remains unchanged, unflappable. Leonard CohenMONTREAL2017
To the mess and chaos and frustration, add: Effervescence. Exultation. Exuberance.
When the warm days arrive, nothing can stomp the Montreal spirit, its joie de vivre, its euphoria.
An old joke says: “There are three seasons in Quebec: July, August and Winter.”
That’s only a slight exaggeration.
Summers are not only short, they are precious, personal triumphs over the interminable harsh winters. There is not a moment to waste. Each day seems filled with ambition, with purpose and levity, a restoration of the soul incomprehensible to anyone who has not endured the cold dark stretch of November thru March. Summer days could be hot and humid but who’s complaining? The evening air is pierced by cicadas promising a fine tomorrow. Rain literally falls on parades.
Summer is like rapture, attained at big public shindigs or in solitary walks in the park.
You could see it on people’s faces, hear it in their voices when they stop at street corners to chat with friends, straddling their bicycles, unhurried; how they relax on their balconies on sultry evenings, lawn chairs unfolded and beer flowing; how terraces across the city overflow with hardy folk shedding cabin fever.
Montreal is a walkable city, urbane but cozy, fairly safe and very charming; it has a sidewalk culture, where unlike, say, Las Vegas, being out does not mean knowing where you’re going. Chances are there’s something to see, a festival somewhere: Jazz, Dance, Song, Fireworks, Comedy (Just Pour Rire); a festival for Beer, for Murals, for Gay Pride, and even oddly a Lobster festival!
There’s the annual Formula 1 Grand Prix, the Film Festival, the indie Osheaga multi-day music & arts festival, the Tennis Open, pro Football, pro Soccer … but no baseball. Not any more. Honestly how can a team survive playing in a dank, domed stadium when so much indulgence, so many temptations, beckon outside?
Let it all out. Suck it all in. Time is a bubble. Blvd St-Laurent @ NapoleonMONTREAL2017
Not surprisingly, this year, despite the inadvertent (and bungled) Construction Festival – Montreal celebrated its 375th with more pomp, particularly around the old town, with large-scale projection shows, historical tributes, art exhibits, street performances, food fairs, music concerts or some sort of revelry liable around any corner.
So happy birthday “Ville Marie”, “City of a Hundred Steeples”, my forever home! As we both age, we both change, and I continue to see you with fresh eyes.
Please visit my photo gallery here for some of my favorite shots made over a 4-week span this summer
(NB: if you click on slideshow (top-right of page) on a computer, you also get classic Quebecois music!)
The Durango Diner is a throwback. Long Formica counter, a dozen swivel stools, a wall scattered with picture frames, lots of stainless steel and just enough room for patrons and staff to squeeze by each other on either side. A couple of tables up front by the window, flanked by photos of cowboy John Wayne and Cheyenne Indians. A cozy place, with old-style friendliness.
Durango Diner Durango Diner
OLYMPUS DIGITAL CAMERA The trip is the trip. Time is ethereal when going 70 mph seated. The constant purring of tires, the hypnotic white lines keeping you honest and safe, the privacy and freedom of the open road, the American landscape whipping by like a free-flowing stream of consciousness. Heading northeast, the desert terrain becomes fertile, Navajo jewelry gives way to Hillbilly crafts, roadkill alters from armadillo to possum to raccoon to skunk the further up you go; flatlands dotted with grain silos (seen from a distance like castle turrets, like NASA rocket launch pads) give way to rolling hills and forests of lush birch and evergreens; big grim penitentiaries fenced within bucolic farmland are heralded by road signs that read “Do Not Pick Up Hitchhikers”; one-horse hamlets of clapboard houses and swaying crimson barns have names like Athens and Rome and Cairo and Mexico; the slowness of village life coming to a virtual halt on the 4th of July holiday, no crush of merrymakers here but rather a deep lull — do these dusty old shops and shuttered eateries ever really open? Along small-town main streets, "Hometown Hero" banners flutter on lamp posts, honoring soldiers from wars past and present — a patriotic ode to military power ingrained in the American psyche; metro areas like St-Louis or Syracuse or even Wichita tug and tempt and intimidate all at once, places where history occurred, where the present pulsates, where culture and vibrance and maybe even a falafel sandwich can be found, but also where squalor and decay and despair too often reside.
And that’s just a start. But first, pit stop: Montreal.
route 13 PA
PHOENIXRevolver Records If Scottsdale is swanky, a vibrant township of leafy privilege and manicured lawns, then nearby downtown Phoenix is decrepit, a steely urban grid of business and blight. At least that's how it felt, on a superficial level, on a quick weekend visit. The sunbaked streets were devoid of traffic, no major events taking place at one of the hulking stadiums clustered in the hub. Like many inner cities on the American landscape, the area felt abandoned, save for pockets of revitalization, stretches of trendiness, funky or formal.
Saturday evening I drove down a main drag, heading west by the Sandra Day O'Connor courthouse and City Hall. Gorgeous sunlight bathed barren buildings, a palette of colors jarring against the quiet eeriness. It was a scene out of the Dawn of the Living Dead. Then, suddenly, two blocks to the left at a cross street, I glimpsed a flurry of activity, a bevy of people milling about... what? A string of restaurants? An entrance to the theater? an open-air festival? I pulled a U at the next turn to check it out. As I got closer, I slowly rolled on, aghast, realizing the sad truth: this was skid row.
I don't know the population of homeless and downtrodden in Phoenix, but it's not small. And this is their neighborhood. They congregate here for support, food, shelter, safety and friendship - the very embodiment of misery loving company. People spilling everywhere, like a refugee camp, like an outdoor fair. The cluster extends for blocks, shocking as it is heartbreaking. I've seen skid rows before - in LA where it's of biblical proportions, and at home in Las Vegas, just a few steps north of the dubious fantasy of the Fremont Street Experience.
What hit me in Phoenix is how so little else seemed alive in the city core.
Photos of Phoenix, Arizona gallery: http://www.armandthomas.com/p573487416#h8b4eabf6
View other galleries at homepage: http://www.armandthomas.com/
Five years ago on this day, February 22, at 12:52 pm, an earthquake struck Christchurch. It devastated New Zealand’s ‘Garden City,’ killing 185 people – 115 of them when the Canterbury Television Building collapsed. At least half of the buildings in the downtown core, many of them national landmarks and heritage sites, were damaged and marked for demolition. Some are still standing today, ghostly monoliths awaiting their final collapse.
Christchurch today is a mix of rebuild and relic. It’s surreal, like an enormous film set going up in one swoop, or a giant Meccano toy of cranes and girders.
There are stark reminders of the wreckage everywhere; it is widespread and mesmerizing. But there’s also a palpable sense of optimism and opportunity and hope. As one local Kiwi put it: “We don’t give a toss about brick and mortar… nothing is permanent.”
Indeed, the recovery itself is now what visitors gawk at in this once genteel Britannic town where even the river is called the Avon.
Besides the new-wave glass and steel structures going up, there are shipping containers everywhere – some transformed into shopping and eatery outlets, others stacked in sturdy columns in front of beloved old buildings in case they fall before being saved.
Swaths of areas are fenced off in what was once downtown: banners proclaim a new Performance Arts Precinct coming here, a modern Convention Center Precinct there, A Retail Precinct, A remodeled Town Square, a refurbished riverside park – the city is a quasi-blank canvas for creativity and possibilities.
We’re here in this special city at this peculiar time, enduring early morning construction noise and late-night tremors, to close Quidam for good on Friday night, Feb 26.
We’re delighting sold-out crowds at the Arena, as folks have both affection for our show and a longing to cheer something magical. It’s a fitting venue to end a remarkable 20-year run, providing us all an example of resilience, a backdrop of courage and a reminder that if you feel the earth shake and see the sky fall as the end comes, it’s time to dust yourself off, take a deep breath and forge ahead. Renew.
CHCH2016 Photo Gallery here
Hit the slideshow button (top-right) to rock it with LedZep.
Having brekky on a terrace overlooking Byron Bay this morning when I was startled by a rather large reptile waddling towards me. I waived the waitress over and pointed. "Oh, that's just Jerry," she said, amused. "He's a regular." How about those Australians, completely at ease with breast-feeding in a restaurant.
The Lao resemble the Buddha.
Not the laughing, big-belly Chinese type - but the elongated, closed-eye, meditative figure - the image of serenity and peacefulness.
It's a beautiful face, one that reflects a soft-spoken, sweet-tempered, fair-minded people; a Zen-like face born from years of isolation and tranquility within the secluded forests of Southeast Asia, you would think.
And you would think wrong.
The Lao People’s Democratic Republic -- and the many kingdoms that once comprised its territory -- never had it easy.
Tough neighborhood, for eons.
Never strong nor populous, Laos has been dominated in one form or another, by one overlord or another. Landlocked by its powerful neighbors - Thailand, Vietnam, Burma, Cambodia and (gulp) China – Laos has been the proverbial pawn on the Indochinese chessboard for centuries. When the Western colonial era began in the 19th century, followed by the rise of Communism in the 20th, the geopolitical squeeze only got hotter.
Then came the Vietnam War. And the collateral damage on Laos.
From 1964 to 1973, American warplanes dropped over 2 million tons of bombs over Laos in 580,000 bombing missions, the equivalent of one planeload every 8 minutes, 24 hours-a-day, for 9 years.
You might want to re-read that paragraph, because it boggles the mind.
That’s more bombs than were dropped on Germany and Japan combined in WWII – making docile, charming little Laos one of the most heavily bombed places on earth.
At that time, too few.
It was called the Secret War. Technically, Laos was neutral following the Geneva Convention and the US did not publicly acknowledge waging one of the most intensive bombing campaigns in the history of warfare. The intended target was the North Vietnamese, and notably the Ho Chi Min trail that snaked through Laos into South Vietnam.
When the war finally ended, not only was Laos very literally blown to bits, but it's educated class - who in large supported the royalist anti-communists – were either neutralized or had fled. Brain drain, money drain, land drain. In 1975, Laos officially kicked out the monarchy and became communist - realizing America's fears of having the red hammer-and-sickle fly over the nation.
My apologies for this glib nutshell of history.
It’s against this backdrop that travel in Laos comes into focus – at once enchanting and disturbing. It’s a place of wonder and humility, where feelings of awe and shame tug at your heartstrings. And so while I marveled and succumbed to the mystique of Laos, I also shuddered a lot.
I loved renting a scooter and riding out across suspension bridges, following dirt roads flanked by rice fields and limestone hills, stopping at hidden temples and isolated hamlets, where homes have dirt floors and meals are cooked in blackened kettles over wood fire, where weaving looms are as common as satellite dishes and the air is pierced by the screeches of schoolchildren playing during recess.
I hated that 80 million cluster bomblets (about one-third of those dropped during the campaign) failed to detonate and remain buried in the countryside, maiming and killing hundreds of people each year, a generation after the horror ended. Bomb casings and shrapnel are so common they have been turned into artifacts, pieces of jewelry, road signposts and souvenir trinkets.
I loved strolling aimlessly in the towns, admiring colonial architecture, photographing everyday scenes that to me seemed magical, and meeting locals with a Sabaidee, which was always returned with a warm smile. I’ve rarely been among more gracious, unassuming people.
I hated how tourists, entitled and immodest, made a circus out of tak bat – the monks’ solemn morning collection of food and alms – breaking the dawn light with their frenzy of camera flashes and loud ignorance, and turning a ceremonial way of life into a gaudy spectacle..
I loved the ingrained, almost mythical beauty of Luang Prabang, a gem of city once the seat of the Kingdom, spared from destruction 50 years ago mainly because it inhabited the American allies. I regret how it has become a tourist magnet, but alas, that’s the fate of progress, and the cost of repute. Fancy restaurants, flourishing markets, adventure tours, boutique hotels – the secret of Luang Prabang is waning.
Most notably, LP is home to about 30 golden temples and one thousand monks. In there bright saffron robes, they are iconic to the fabric of the city, and are often very eager to meet foreigners in their courtyards.
It’s here, at Vat Sop Sickharam in the old town, that I made new friends in young novices: Nark, Mong-ki, Throng, and Alien, so nicknamed by the others because he was, well, a peculiar prankster.
Nark is 17 and has been at the Vat for 7 years. He hopes to stay another 5, then be accepted to a monk university, a highly competitive privilege which leads to more opportunities. Nark is ambitious, he craves to practice his English, as many do, but his eagerness is resolute.
I spent a few mornings with him over the course of my week in Luang Prabang, going over the difference between “For” and “Since”... explaining to him as I formulated it to myself.
We practiced verb tenses and read paragraphs from a book he was given by a foreigner, Nark using his busted-glass smart phone to look up new words, relying on the spotty Wi-Fi signal from a nearby hotel.
We chatted about meditation, having conviction (his word), the “merit” lay people earn by delivering food to the temple, and his wish to return to his village one day to help others learn English.
Other novice monks, young boys in orange robes, came and went about us – making jokes, carrying laundry, playing games, casual and unhurried in this morning lull between tak bat and school. These encounters brought me as much pleasure as it did them.
I asked Nark if he followed world events, through his smart phone or whatever. He did not. But he liked to watch American movies, to hear the language, if the Wi-Fi was strong enough.
I asked if he knew about the history of Laos, what had happened in a past not so very long ago. I was conflicted asking this, wondering if I was being indecent, as if sullying his purity with the dirty truths of humanity. But no, he did not know. He heard there was a lot of fighting, but not much more.
Oddly, I felt envious. Here was the very embodiment of ignorance being blissful. And I wasn’t about to upset that.
In the grand tradition of scruffy, shoe-lace travel, Vang Vieng is where tie-dyed young and old let their braided hair down.
~ dedicated to my friend Marvin, in my thoughts on the road - RIP
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